James Nachtwey and The Other

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James Nachtwey is an American photojournalist and war photographer. He has been awarded the Overseas Press Club’s Robert Capa Gold Medal five times. In 2003, he was injured by a grenade in an attack on his convoy while serving as a Time contributing correspondent in Baghdad, from which he has made a full recovery. He is by all accounts one of the greatest war photojournalists of our time, a member of The Bang Bang Club and Magnum, he has bodies of work ranging from Sudan, Kosovo and Northern Ireland to the Middle East and 9/11.

His words are always haunting, he has seen and photographed horror in its deepest and darkest form. It is miraculous he has survived both physically and mentally so far. He remembers;

“The most incomprehensible situation I’ve ever witnessed was Rwanda where we don’t really know how many people died; the estimate of half a million to a million. They were killed with very primitive weapons; clubs and rocks and machetes, face to face. And I saw some massacre sites and I just do not understand how people can do that to each other. What can inspire such fear and such hatred? This is beyond my understanding really. It’s very difficult to get over that.

…And I realised that many of the people I was photographing might have been the very ones who had committed the massacres that I had witnessed just a few weeks before. And it was like taking the express elevator to hell.”

A lot of photojournalism is knowledge, absorbing information and coming to an innate understanding of the events. This should never be achieved on the road to the event. You must think first as a journalist and second as a photographer. Journalism will always provide you with the context in what to shoot, rather than choosing the most attractive position. James is a connoisseur in this field, but was thrown when the attacks of 9/11 happened, almost dying while shooting under the WTC 2, when it fell.

Filed under: 9/11, afghanistan, america, camera, conflict photojournalist, documentary, George Bush, horror, humanitarian photojournalist, Iraq, journalism, ngo humanitarian photographer, offices, photojornalism, photojournalism, Photojournalist, politics, religion, War, warrior ethos

Running for Injured Freelance Journalists

http://www.flickr.com/photos/jmrosenfeld/ - CC

“Let us toast to animal pleasures, to escapism, to rain on the roof and instant coffee, to unemployment insurance and library cards, to absinthe and good-hearted landlords, to music and warm bodies and contraceptives… and to the “good life”, whatever it is and wherever it happens to be.”  — Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman)

Yes, you got it. Re-read that last statement, it does stick in your mind. Yes it does say contraceptives, but that’s not what troubles me. Nor is the fact that Tony Blair is now named Don Murdoch, to Rupert’s child. It’s eyes will surely glow red now, its mind altered and warped, it’s wings will spread like a barren black night – flapping like the dark beast of the Rio Grande Valley, which residents say has terrorised the area for decades. Like Murdoch’s other children, it was probably baptised in the most polluted part of the 60-mile downstream stretch of the River Jordan – a meandering shit stream from the Sea of Galilee to the Dead Sea.  These are ill times.

But I have bigger issues at hand to discuss with you, on a much happier note. I will be running for an extended period of time to another location. This act of full body movement is all for charity, specifically The Rory Peck Trust.

Freelancers are essential to newsgathering.  Working independently, they are often the first to report on stories, and situations that inform and affect our lives – sometimes at great risk to their own safety.  Many have no support when things go wrong.

The Rory Peck Trust was established in 1995, two years after freelance cameraman Rory Peck was killed while filming in Moscow. It was set up by his wife, Juliet and close friends to provide the help for freelancers and their families that nobody else would give. They also established the Rory Peck Awards to honour the work of freelance news cameramen and women.

The Trust has since grown into an internationally recognised organisation that gives direct practical support to freelancers and their families in need.  Widely respected for the role it plays promoting good practice on behalf of freelancers and their right to work safely, with adequate support and protection, it continues to provide a unique source of assistance.

Filed under: conflict photojournalist, documenting, ethics, humanitarian photojournalist, journalism, ngo humanitarian photographer, photography, photojornalism, photojournalism, Photojournalist, Uncategorized, demotix, rory peck, rory peck trust

United Belgium Demonstration – Brussels

Belgium was a fascinating country on on three of my visits within the last year, twice on a motorbike passing through – and then purposely for a Demonstration in Brussels, November 18th 2007, for United Belgium, which was a movement against the separation of Belgium into two Northern and Southern parts with two Belgian governments and histories. 35.000 colourful protesters, coming from Wallonia, Flemish and Brussels areas came in support of Belgian survival. They were here to end a long running feud in establishing a one country democratic government.

It was a turbulent time during this with marches, anger and protest I went to document this march by buying a Ryanair flight to Brussels for cheap, staying in another horrible hotel and jumped into the crowd with my small 20D and found it a fascinating and vibrant event.

A passionate protest at the current political state.

Filed under: belgium, brussels, ethics, independence, nuj, photography, photojournalism, Photojournalist, redr uk, U.S, War, world

By: Proxy

A shoot for a friend at the Pheonix Club in Lancaster.

Filed under: by proxy, by:proxy, DJ, Lancaster, morecambe, music, Pheonix Club, Phoenix Club, photography, Photojournalist, Stephen Sidlo