James Nachtwey and The Other

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James Nachtwey is an American photojournalist and war photographer. He has been awarded the Overseas Press Club’s Robert Capa Gold Medal five times. In 2003, he was injured by a grenade in an attack on his convoy while serving as a Time contributing correspondent in Baghdad, from which he has made a full recovery. He is by all accounts one of the greatest war photojournalists of our time, a member of The Bang Bang Club and Magnum, he has bodies of work ranging from Sudan, Kosovo and Northern Ireland to the Middle East and 9/11.

His words are always haunting, he has seen and photographed horror in its deepest and darkest form. It is miraculous he has survived both physically and mentally so far. He remembers;

“The most incomprehensible situation I’ve ever witnessed was Rwanda where we don’t really know how many people died; the estimate of half a million to a million. They were killed with very primitive weapons; clubs and rocks and machetes, face to face. And I saw some massacre sites and I just do not understand how people can do that to each other. What can inspire such fear and such hatred? This is beyond my understanding really. It’s very difficult to get over that.

…And I realised that many of the people I was photographing might have been the very ones who had committed the massacres that I had witnessed just a few weeks before. And it was like taking the express elevator to hell.”

A lot of photojournalism is knowledge, absorbing information and coming to an innate understanding of the events. This should never be achieved on the road to the event. You must think first as a journalist and second as a photographer. Journalism will always provide you with the context in what to shoot, rather than choosing the most attractive position. James is a connoisseur in this field, but was thrown when the attacks of 9/11 happened, almost dying while shooting under the WTC 2, when it fell.

Filed under: 9/11, afghanistan, america, camera, conflict photojournalist, documentary, George Bush, horror, humanitarian photojournalist, Iraq, journalism, ngo humanitarian photographer, offices, photojornalism, photojournalism, Photojournalist, politics, religion, War, warrior ethos

Running for Injured Freelance Journalists

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“Let us toast to animal pleasures, to escapism, to rain on the roof and instant coffee, to unemployment insurance and library cards, to absinthe and good-hearted landlords, to music and warm bodies and contraceptives… and to the “good life”, whatever it is and wherever it happens to be.”  — Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman)

Yes, you got it. Re-read that last statement, it does stick in your mind. Yes it does say contraceptives, but that’s not what troubles me. Nor is the fact that Tony Blair is now named Don Murdoch, to Rupert’s child. It’s eyes will surely glow red now, its mind altered and warped, it’s wings will spread like a barren black night – flapping like the dark beast of the Rio Grande Valley, which residents say has terrorised the area for decades. Like Murdoch’s other children, it was probably baptised in the most polluted part of the 60-mile downstream stretch of the River Jordan – a meandering shit stream from the Sea of Galilee to the Dead Sea.  These are ill times.

But I have bigger issues at hand to discuss with you, on a much happier note. I will be running for an extended period of time to another location. This act of full body movement is all for charity, specifically The Rory Peck Trust.

Freelancers are essential to newsgathering.  Working independently, they are often the first to report on stories, and situations that inform and affect our lives – sometimes at great risk to their own safety.  Many have no support when things go wrong.

The Rory Peck Trust was established in 1995, two years after freelance cameraman Rory Peck was killed while filming in Moscow. It was set up by his wife, Juliet and close friends to provide the help for freelancers and their families that nobody else would give. They also established the Rory Peck Awards to honour the work of freelance news cameramen and women.

The Trust has since grown into an internationally recognised organisation that gives direct practical support to freelancers and their families in need.  Widely respected for the role it plays promoting good practice on behalf of freelancers and their right to work safely, with adequate support and protection, it continues to provide a unique source of assistance.

Filed under: conflict photojournalist, documenting, ethics, humanitarian photojournalist, journalism, ngo humanitarian photographer, photography, photojornalism, photojournalism, Photojournalist, Uncategorized, demotix, rory peck, rory peck trust

Echo Of Chernobyl – Paal Audestad

Photo essay by photographer Paal Audestad. The Chernobyl exclusion zone. ‘The Zone of Alienation’, which is variously referred to as The Chernobyl Zone, The 30 Kilometer Zone,The Exclusion Zone, The Fourth Zone, or simply The Zone (Ukrainian official designation: Зона відчуження Чорнобильської АЕС, zona vidchuzhennya Chornobyl’s'koyi AES, colloquially:Чорнобильська зона, Chornobyl’s'ka zona оr Четверта зона, Chetverta zona) is the 30 km/19 mi exclusion zone around the site of the Chernobyl nuclear reactor disaster. 

Geographically, it includes northernmost parts of Kyivs’ka oblast’ and Zhytomyrs’ka oblast‘ of Ukraine, and adjoins the country’s border with Belarus. A separately administered Belarusian zone continues across the border.

Filed under: Chernobyl, Exclusion Zone, humanitarian photojournalist, Manchester photographer, manchester photojournalist, Morecambe photographer, Paul Audestad, Stephen Sidlo, Ukraine, Zone of alienation

Age of the Warrior

Iwas watching ‘The Age of the Warrior‘, a talk by Robert Fisk on his journalism, findings and research in the Middle East. About 10 minutes in he describes the cards that each soldier in the US Army carry. These cards reflect a nation overseas, and can be looked at, and theoretically analysed like poems. If taking this literally, the pre-gun waving ‘Right of Hitler‘ sloth Donald Rumsfeld era was something of a safe haven for countries to ask for help. According to the Creed….

Filed under: humanitarian photojournalist, Manchester photographer, Morecambe photographer, ngo humanitarian photographer, robert fisk, soldiers creed, the age of the warrior, warrior ethos